Crusade to Ban Jazz
by Paul Dodington
In
almost
any collection
of old
acoustic
78's (or
Diamond Discs), that you
may chance
to come across
in
a second-hand shop, likely
as
not
there
will
be
an
assortment
of
"dance" tunes
(or jazz as they were referred
to in those days).
These
were the bread-and-butter
products of
the
recording
studios
and while it
must
be
admitted that this material kept many of the
record
companies
solvent
during the "radio
craze"
few
of
the
performances
have
much
musical or artistic value today.
At the time,
however,
jazz
was
viewed
as
an unsettling
force to be reckoned with,
much
like
rock-n-roll
was
in
the 50's
and 60's.
The
following
article
from the
October
1921
Issue
of
Musical
Canada
is
a
potpourri of
newspaper
reports
of protest against the popular craze.
Don't
some
of
the statements
have a familiar ring?
Jazz
Curfew
Ordered
New
York,
Sept.
23 - Quaint
Greenwich
Village,
New
York's
Bohemian
quarter,
famous
in song and story as
the
home
of
new
thought,
has something to occupy its
attention - a jazz curfew.
This
ultra-modern
idea
was
not
of
the
village's
own initiative. It was decreed
by
a
matter-of-fact
magistrate
in
Jefferson
Market
Court,
who ordered the clanking
cowbells
and the
moaning
saxophones
to
cease
their jangle
in the Cherry
Blossom Tea
Room
an hour before
midnight,
in order that
complaining
nearby tenants
might
sleep.
Put Ban On Jazz
Winnipeg,
Sept.
3 - F.A.
Tallman,
Secretary
of the Musicians'
Union said today:
"We want
to get rid of this jazz stuff.
You
know what
I
mean - fellows
who hang over the piano
when
they
play, who
stand
on their
heads or
leap
from
one side to the other."
The
union at
the next meeting will consider
a resolution
aimed to eliminate the musician
who plays
a
light
instrument
and dances round,
prodding
ladies
in the
back
and
generally
making
a
nuisance
of
himself.
There
are
about
500
members
of the Musicians'
Union
in Winnipeg,
and it
is
expected
that
the
motion
will
carry easily.
If
so,
all
jazz
players
will
be
ousted
from
the
union,
which will bar them
from local orchestras.
"Danger
Of
"Ragtime
Nation"
Mrs.
Mary
Oberndorfer,
National
Chairman of Music
of the General Federation
of
Women's Clubs, is leading
a crusade to eliminate
suggestive
songs
and
dances.
She asserted, "Congress
should
pass
laws
barring obscene songs from
the
mails
and
from
all
interstate
commerce.
Parents
do
not
realize
the
words
now
being
sung
by
young
people
as
they
dance,
and
the
nation is being demoralized
by cheap, vulgar
songs. Publishers are trying to
make
a jazz
and
ragtime
nation
of
the
United States.
Something
is
wrong
when dance tunes must be
called
by suggestive
names
in order to sell
them.
The
G.F.W.C.
will
co-operate
with
dancing teachers to have better
music
used.
Mothers
of
the
land
are
awake
to
the
importance of the question," she stated.
"You
should
see
me
dance
the
polka,
You
should
see
me
cover
the
ground!"
sang
Rosina
Vokes
and
most of her hearers
agreed
with
her
when
she
described
it
as
"the
jolliest
dance
I
know".
How
many
dancers today even
know what the polka was?
There
was
a
good deal
of
fun
in it,
just
the
same,
and
much
more
modesty
than
belongs
to
most
of the
new
steps.
We
who
are
used
to
jazz
can
hardly
imagine
why
these older
dances
were also
denounced
in
their
time
as
perilous.
Perhaps
a
generation
hence
there
may
be
dances
in
comparison with
which the jazziest present
gyrations
will
be
tame.
But
that
is
doubtful. There is a limit to all fashions,
and
the
attitude
of
the
dancing
masters
suggests
that
in
the case of
dancing the
limit has been reached.
In
other
words,
Jazz
has
been
'run
into the
ground'
and
that will kill
anything.
How
Ya
Gonna
Keep
'Em
Down
On
The Farm?
The
chief
reason
young
people
have
for
leaving
the
farms
has
been the allure of
the
cheap
dancing
places
in
the
city.
People will not stay on the farms or go back
unless
some good substitute is provided.
Objected one jazz producer,
who took
up the
cudgels
today
in
defense
of
his
art, "But
there simply ain't no good substitute - yet.
Jazz is the greatest thing we've got.
When
my
agents
get back
from Central
Africa
we
may
have something
new
and better to offer
'em,
but
jazz
Is the best
we can
do at
present.
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